Luna Bijl＆Ali Michael表示，Mario Sorrenti為“文獻(xiàn)雜志”＃10，SS 2017而設(shè)計(jì)的時(shí)尚流行潮流。隨著洞察力的爆發(fā)，想象力的花朵變成了一個(gè)奇跡。通過(guò)詩(shī)意的奉獻(xiàn)尋求道路。藝術(shù)成為空間和時(shí)間的奇異維度，一度進(jìn)入混亂心靈的內(nèi)在圣地。為了改變這個(gè)故事，鼓勵(lì)系統(tǒng)地進(jìn)入另一個(gè)維度。跟隨我們?cè)谶@里，我們將看到你的制作是我的制作，因?yàn)槲覀冊(cè)谀睦?，我們將如何希望預(yù)示著自由的寫(xiě)作。獨(dú)特的圖案和創(chuàng)意面料帶來(lái)豐富的美。莎拉·理查森（Sarah Richardson）通過(guò)融合高級(jí)風(fēng)格和靜物描繪了植物靈感的狂喜弧。一個(gè)替代的宇宙是對(duì)立不僅吸引他們的攻擊。每件作品都不如投影的萬(wàn)神殿。融合洪水現(xiàn)場(chǎng)，從紫色滅火器到古老的高爾夫俱樂(lè)部，一個(gè)大的藍(lán)色水槽到紅色吸塵器。當(dāng)時(shí)鐘，計(jì)算器和焦炭瓶頂部的東西，一個(gè)耐克條紋球彈跳的好的措施。替代設(shè)計(jì)聲稱無(wú)生命的主題?允許它成為一個(gè)背景。感覺(jué)的景象到達(dá)，因?yàn)槲捏w大潮讓我們進(jìn)入未來(lái)。大腦彎曲的美麗成為夢(mèng)想，從花卉圖案到純色Z字形圖案的Z字形圖案和超越。

通過(guò)心靈的眼睛，我們開(kāi)始看到新的東西，因?yàn)榉椒ㄕ撃７抡胬淼乃枷?。展現(xiàn)我們的想象力，我們看到自己的美麗露骨了。面對(duì)形象，弗蘭克B.提升功能，形成詩(shī)歌的味覺(jué)。隨著化妝品拼貼探索幻覺(jué)的動(dòng)能，化妝品需要后座?？s小她的皮膚，我們開(kāi)始明白為什么美容不是一天建成的。自然的應(yīng)用程序顯示了相似之處，使我們能夠以完美的形式看到所有的功能。如果一個(gè)頭骨被稱為完美的，Bijl肯定會(huì)是。輕松的嘴唇使一個(gè)驚人的比賽，廣泛的眼睛和充分的臉頰跟隨?；靵y從來(lái)沒(méi)有像色彩一樣在光線相撞中看起來(lái)很精致。油漆滑過(guò)面部讓顏料混合，因?yàn)槠つw模仿精神情感，玩比例的比例?；瘖y的動(dòng)作，因?yàn)樗诨?，使它看起?lái)像皮膚正在發(fā)展。葉子和踏板發(fā)揮作用，Luna躺在一朵由花朵制成的床上。 Sorrenti研究了靜物的藝術(shù)，用于描繪無(wú)生命的主題。阿里把這個(gè)做到了完美，坐在一張水果前面，手指卡在西瓜里面。偽裝成每個(gè)圖片的顏色都會(huì)產(chǎn)生一種連接感。藝術(shù)和多余的碰撞使我們能夠擁抱這個(gè)混亂的環(huán)境。由于無(wú)用的東西爆發(fā)了這個(gè)大氣合奏送我們的賽車。隨機(jī)不連貫但完整無(wú)缺。這個(gè)故事慶祝豐富的豐富。他們的周圍環(huán)境都很美麗，兩個(gè)女人都在超越。女性為花...象征主義不能更完整。

Luna Bijl Ali Michael by Mario Sorrenti for document Journal #10, SS 2017

PHOTOGRAPHER: MARIO SORRENTI. MODEL(S): ALI MICHAEL, LUNA BIJL. SOURCE: document JOURNAL. STYLIST: SARAH RICHARDSON. MAKEUP: FRANK B.. HAIR: RECINE.

Luna Bijl Ali Michael show that fashion flows in a still life dream by Mario Sorrenti for document Journal #10, SS 2017. Flowers of the imagination transform, as insight erupts, becoming a window to wonder. The path is sought through poetic devotion. Art becomes a singular dimension of space and time ~ at once entering the inner sanctum of the chaotic mind. Bracing for change this story celebrates the systematic move into another dimension. Follow us here and we will see the making of you is the making of me… for where we are is where we will be as hope heralds the hands to write free. Unique patterns and creative fabrics brings about an abundance of beauty. Sarah Richardson depicts the arc of flora inspired ecstasy by fusing High Style and Still Life. An alternative universe is where opposites not only attract they attack. Each piece is less about fashion proper than it is a pantheon of projection. Fusion floods the scene, from a purple fire extinguisher to an ancient golf club, a big, blue sink to a red vacuum cleaner. While a clock, calculator coke bottle top things off, with a Nike striped ball bouncing in for good measure. Alternative designs lay claim to inanimate subject matter ~ allowing it to become one with backdrop. A spectacle of sensation arrives as a stylistic slam takes us into the future. Brain bending beauty becomes but a dream, from floral motifs to solid colors zig-zag patterned schemes zig-zag patterns and beyond.

Through the mind’s eye we begin to see something new, as methodology mimics the mind-trip of truth. Stretching our imagination we watch beauty bare itself out. The face takes shape as Frank B. elevates the features to form a palate of poetry. Makeup proper takes a backseat as cosmetic collage explores the kinetic energy of illusion. Scaling down her skin we begin to understand why beauty wasn’t built in a day. Natural application shows the semblance allowing us to see all their features in perfect form. If a skull was ever called perfect, Bijl’s would surely be. Pillowy lips make a surprising match, to wide-set eyes and full cheeks to follow. Chaos never looked so refined as colors careen in a collusion of light. Paint glides over the face letting pigments mix, as skin mimics mental emotion, playing with scales of proportions. Makeup moves as it melts making it look like the skin is evolving. Leafs and pedals play a part as Luna lays back in a bed made of flowers. Sorrenti studies the art of Still Life in this compelling composition used to depict inanimate subject matter. Ali projects this to perfection, sitting in front of a table of fruit with her finger stuck inside a watermelon. Camouflaged in colors each picture projects a sense of connection. Art and excess collide allowing us to embrace this chaotic environment. As the futility of flux erupts this atmospheric ensemble sends us racing. Randomly unconnected yet dutifully complete. This story celebrates the lushness of abundance. So beautiful are their surroundings both women are at once overtaken. The female as a flower… The symbolism couldn’t be more complete.